dbx, Harman, nor any of their affiliate companies have endorsed or sponsored the bx_subsynth in any manner, nor licensed any intellectual property for use in this product. The bx_subsynth was developed by Brainworx based on its own modeling techniques. Legal Disclaimer : dbx 120XP and Waveform Modeled Synthesis are registered trademarks of Harman International. This is bottom end you can feel in your rattling bones.Īctivate the fully functional 14-day demo with your Plugin Alliance account today to hear for yourself (no dongle required)! DJs can turbocharge their sound systems’ low end to woofer-shattering extremes. Sound designers can pump up weak cinematic FX with terrifying lows. Remastering engineers can use bx_subsynth to add a fat bottom end to thin vinyl masters and old recordings made on narrow-gauge multitrack tape recorders. Automatically generate a perfectly synchronized bassline from the bottom strings played on an arpeggiated acoustic guitar track two knob twists are all it takes to focus the bassline’s image dead-center and massively widen the guitar’s stereo image up to 400%. Add subterranean thunder to sustained left-hand octaves on piano tracks. Boost different subharmonics on a kick drum and bass guitar to separate their sounds in the mix, for increased clarity and punch. Retune your drum tracks: Dial in higher subharmonics for rack toms and lower ones for the floor tom for colossal, pounding drum fills. bx_subsynth doesn’t just boost-it adds new bottom! And whereas psychoacoustic bass processors trick your brain into hearing phantom subharmonics that don’t actually exist-and which you can’t feel-bx_subsynth adds real sub-bass that will shake your body like an earthquake! Plus, EQs can’t boost bass in a thin track that doesn’t have any bottom to begin with.
The discrete frequencies bx_subsynth generates leave more space across the bass-frequency band for other instruments, letting you jack up subsynth’s bass without muddying your mix. Powerful Edge processing lets you select from two modes of operation-Smooth and Harsh-that compress and saturate your tracks, alternately delivering super-compact or explosively trashy drums and throbbing, in-your-face bass guitar.īass EQ can’t do what bx_subsynth does.
The Tight Punch control creates crystal-clear, body-thumping bass by adding a resonant sub-bass peak and filtering out unwanted lows below its cutoff frequency. They then supersized the 120XP’s feature set to create much tighter, clearer, bigger and resonant bass.įor starters, bx_subsynth generates subharmonics in up to three discrete frequency bands versus the 120XP’s two-the addition of a higher bass band for re-synthesis lets you capture and nosedive the fundamental frequencies of a much wider variety of instruments, including snare drum and acoustic guitar. In developing bx_subsynth, Brainworx initially made a meticulous model of the legendary dbx 120XP Subharmonic Synthesizer’s Waveform Modeling™ engine, which generates discrete bass frequencies one octave below what you feed in to it. Integrating a mix of classic and modern processing, this 10-ton beast gives music tracks, cinematic special FX and DJs’ sound systems a bottom end that goes all the way to the Earth’s core! Bx_subsynth is the Holy Grail for Bass Fanatics!
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